اداره کل فرهنگ و ارشاد اسلامی استان خراسان جنوبی مطالعات فرهنگی اجتماعی خراسان 2676-6116 20 4 2026 08 23 Designing a Conceptual Model of Nascent Entrepreneurial Intentions with Emphasis on Social Dimensions and the Effects of Dark Triad Personality Traits (Case Study: South Khorasan Science and Technology Park) طراحی مدل مفهومی نیات کارآفرینی نوپا با تأکید بر ابعاد اجتماعی و تأثیرات مثلث تاریک شخصیت (مورد مطالعه پارک علم و فناوری خراسان جنوبی) 252096 10.22034/fakh.2026.583842.1793 FA محمد باشکوه اجیرلو استاد، گروه مدیریت بازرگانی، دانشکده علوم اجتماعی، دانشگاه محقق اردبیلی، اردبیل، ایران 0000-0003-0367-3916 نیکسا جباری کردلر دانشجوی دکتری بازاریابی، گروه مدیریت بازرگانی، دانشکده علوم اجتماعی، دانشگاه محقق اردبیلی، اردبیل، ایران 0009-0007-5072-9368 Journal Article 2026 05 29 This study was conducted with the aim of designing and analyzing a conceptual model of nascent entrepreneurial intentions, emphasizing social dimensions and the effects of the Dark Triad personality traits in the context of South Khorasan Science and Technology Park. The main objective of this research is to examine the complex interactions between personality traits (both positive and negative) and social dimensions in the formation of entrepreneurial intentions among individuals. In this study, a qualitative approach based on Grounded Theory and selective coding was employed. The analysis ultimately resulted in the identification of 10 selective codes, 25 axial codes, and 128 open codes. Data were collected through semi-structured interviews with 15 founders of startup companies located in South Khorasan Science and Technology Park. The interviews continued until theoretical saturation was reached. The findings revealed that personality traits, particularly the Dark Triad traits (narcissism, Machiavellianism, and psychopathy), can have differential effects on the formation of entrepreneurial intentions and motivations among individuals in companies based in the park. These traits, especially in competitive environments where achieving personal goals is prioritized, tend to increase the inclination to start a business. However, they may create ethical and social challenges in the long term and negatively affect business sustainability. Additionally, social support and social networks within the local culture of South Khorasan play a significant role in strengthening entrepreneurial intentions. The results of this study emphasize the need for balance between social dimensions and personality traits. They can serve as a useful tool for researchers and policymakers at South Khorasan Science and Technology Park in designing supportive and educational interventions. این پژوهش با هدف طراحی و تحلیل یک مدل مفهومی از نیات کارآفرینی نوپا، با تأکید بر ابعاد اجتماعی و تأثیرات مثلث تاریک شخصیت، در بستر پارک علم‌وفناوری خراسان جنوبی انجام شده است. هدف اصلی این مطالعه بررسی تعاملات پیچیده میان ویژگی‌های شخصیتی (اعم از ویژگی‌های مثبت و منفی) و ابعاد اجتماعی در شکل‌گیری نیات کارآفرینی در افراد است. در این تحقیق، از روش کیفی نظریه‌ی زمینه‌ای و کدگذاری انتخابی استفاده شد که در نهایت به شناسایی ۱۰ کد انتخابی، ۲۵ کد محوری و ۱۲۸ کد باز منجر گردید. برای جمع‌آوری داده‌ها، با ۱۵ نفر از بنیان‌گذاران شرکت‌های نوپای مستقر در پارک علم‌وفناوری خراسان جنوبی مصاحبه شد و فرایند مصاحبه‌ها تا رسیدن به اشباع نظری ادامه یافت. نتایج نشان داد که ویژگی‌های شخصیتی، به‌ویژه ویژگی‌های تاریک شخصیت (خودشیفتگی، ماکیاولیسم و روان‌پریشی)، می‌توانند تأثیرات متفاوتی بر شکل‌گیری قصد و انگیزه‌های کارآفرینی افراد در شرکت‌های مستقر در پارک علم‌وفناوری خراسان جنوبی داشته باشند. این ویژگی‌ها، به‌ویژه در شرایطی که رقابت‌جویی و دستیابی به اهداف فردی در اولویت قرار دارد، تمایل به شروع کسب‌وکار را افزایش می‌دهند. بااین‌حال، این ویژگی‌ها ممکن است در بلندمدت چالش‌های اخلاقی و اجتماعی ایجاد کند و بر پایداری کسب‌وکار تأثیر منفی بگذارد. همچنین، حمایت‌های اجتماعی و شبکه‌های اجتماعی در بستر فرهنگ بومی خراسان جنوبی نقش مهمی در تقویت نیات کارآفرینی ایفا می‌کنند. نتایج این پژوهش بر لزوم توجه به تعادل میان ابعاد اجتماعی و ویژگی‌های شخصیتی تأکید دارد و می‌تواند ابزار مفیدی برای پژوهشگران و سیاست‌گذاران پارک علم‌وفناوری خراسان جنوبی در طراحی مداخلات حمایتی و آموزشی باشد.

http://www.farhangekhorasan.ir/article_252096_bf0bbc877dc5e4380352c55e72a3bd1e.pdf

اداره کل فرهنگ و ارشاد اسلامی استان خراسان جنوبی مطالعات فرهنگی اجتماعی خراسان 2676-6116 20 4 2026 08 23 An analysis of the social and cultural reasons for women's tendency towards fashion and fashionism(Case study: Boshroiyeh city) واکاوی دلایل اجتماعی، فرهنگی گرایش به مد و مدگرایی زنان( مطالعه موردی: شهر بشرویه) 251031 10.22034/fakh.2026.573101.1780 FA محسن غلامی آبیز استادیار گروه علوم اجتماعی، دانشگاه پیام نور، تهران، ایران 0000-0002-3711-3389 طاهره میرزائی استادیار، گروه زبان و ادبیات فارسی. دانشگاه پیام نور. تهران. ایران. 0000-0001-5980-0705 ابوالفضل حلوانی دانش آموخته کارشناسی ارشد مطالعات فرهنگی. دانشگاه پیام نور. تهران. ایران. 0009-0005-2015-5995 Journal Article 2026 02 01 1. Introduction In today's societies, the face and physical appearance are of great importance, especially for women, and women invest a lot in their physical features. Young women and girls do this to some extent to attract the attention of others and internalize such standards (Engelen, 2017). Today, young women think that if their beauty is far from the existing ideals, they can fill this gap and change their appearance with the help of fashion and cosmetics (John and Lee, 2005). The fashion industry opens new doors to its followers every day; doors full of new colors and designs for those who like to be fashionable (El-Bassuny, 2018).In today's world, social networks, international media, transnational cultural productions, and consumerist lifestyles are constantly reproducing the meaning and status of fashion. Fashion trends represent a kind of renewal and, in fact, an effort to innovate and change various aspects of appearance. This phenomenon is a problem in today's consumer-oriented societies and is closely related to the emergence of modernity (Qadri and Rezaei, 2014). The present study seeks to systematically analyze the social and cultural factors affecting the tendency towards fashion among women in Boshroiyeh County and, based on field findings, present scientific and practical solutions for a healthy confrontation with this phenomenon at the local level. Addressing this issue is not only a scientific necessity but also a social obligation in order to better understand women's cultural developments in the context of tradition and contemporary modernity. 2. Method This research was conducted using qualitative methodology and Thematic Analysis strategy. Thematic analysis is one of the most widely used and flexible methods of analyzing qualitative data and is very suitable for analyzing interviews, texts, narratives, and lived experiences. In this method, the researcher seeks to find meaningful patterns of repetition. Repetition means that a theme can be perceived in at least two instances of the text (Etrid Stirling, 2001). In this study, a semi-structured interview technique was used, which is highly compatible with qualitative methodology, especially thematic analysis. Purposive sampling was also used to select participants. Glazer and Strauss have proposed a theoretical saturation criterion for continuing the purposive sampling process. In the present study, the researcher reached saturation point after conducting 16 interviews. In qualitative research, reliability is used to validate research findings. During the interview process, an effort was made to record and implement the interviewees' points of view without the interference of external factors. To measure reliability, the participant control technique was used in the interview. For this purpose, the research findings are compared with the perceptions of the interviewees. To carry out this comparison, after identifying the conceptual codes and main categories, these codes were subjected to evaluation by some of the participants and their opinions about these codes were obtained and approved. 3. Results Content analysis of interviews conducted with 16 women from Bashroi revealed that their experience of fashion is shaped by a range of social and cultural factors. Initial codes extracted directly from participants’ discourse indicate a strong presence of the need to be seen, to differentiate, to identify with, and to follow collective norms. Many participants, especially young and single women, emphasized that their style of dress and fashion were a form of “self-expression.” Focused codes such as “self-expression through clothing” and “desire to differentiate and be seen” were extracted from this group, indicating that fashion in this spectrum is not only a matter of outward consumption but also a mechanism for constructing identity. Analysis of qualitative data obtained from interviews with 16 women aged 15 to 49 in the city of Boshroyeh showed that the tendency towards fashion and fashionism among the participants is a multi-layered matter and is influenced by cultural, social, economic, and media interactions. The final themes extracted from the interviews indicate that the fashion experience of Boshroyeh women is not limited to personal choice or taste, but is rooted in their social context and living conditions. Analysis of the research data shows that fashionism among women in the world is not a purely individual or aesthetic phenomenon, but is intertwined with social structures and interpersonal relationships. Four key factors in the participants' fashionist behaviors were identified: social class and personal status, communication networks, media and cyberspace, and social identification through clothing. In the media and cyberspace dimension, a strong role of these tools in shaping fashion tastes was evident. The majority of participants – especially young women – stated that they get their clothing patterns from Instagram, Telegram channels, celebrity pages, and online stores. The women participating in the study do not see fashion simply as a style of clothing, but rather as a complex and multi-layered experience intertwined with pleasure, pressure, identity, and cultural confrontation. A large proportion of the participants indicated that modern and diverse clothing is a source of pleasure, positive energy, and inner beauty for them. For these women, fashion is not only a sign of taste, but also a means of improving their mood and gaining a sense of worth. 4. Discussion and Conclusion The findings of this study showed that the tendency towards fashion among women in the city of Boshroyeh is a multidimensional and interdisciplinary phenomenon that cannot be considered simply due to individual taste or media influence. Rather, this tendency is the result of a complex interaction of social, cultural, and individual factors that have formed in the specific local context of Boshroyeh. On the one hand, social factors such as socio-economic status, peer pressure, and role models from the media and social networks play a prominent role in encouraging women to be fashionable. The findings of this study clearly show that the media, and especially virtual social networks, play a unique role in shaping attitudes, behaviors, and identities related to fashion among women in the city of Boshroiyeh. Another important and influential aspect of fashion trends among women in the city of Boshroiyeh is the role of peer groups and close social environments such as friends, educational environments, and the workplace. The findings of this study are consistent with some studies conducted in the field of fashion and women's fashionism in Iran. For example, in a study conducted by Moeini et al. (2011) in Khorramabad, it was shown that mass media, peer group, and the desire to improve social status are the main factors in women's tendency towards fashion. The results of the present study also confirm this issue; in such a way that most participants considered the role of media and peer pressure to be very important in changing their clothing style. On the other hand, a study conducted by Mohammad Ali (2015) shows that income level, education level, and access to new media are among the determining factors in the intensity of women's fashionism این پژوهش به واکاوی دلایل اجتماعی و فرهنگی گرایش زنان 15 تا 49 سال در شهر بشرویه به مد و مدگرایی، از طریق تجربیات زیسته و تحلیل کیفی، می‌پردازد. هدف پژوهش حاضر واکاوی دلایل اجتماعی و فرهنگی گرایش به مد و مدگرایی در میان زنان شهر بشرویه است. این پژوهش بر آن است تا، از خلال تجربیات زیسته زنان، ابعاد پنهان و آشکار این گرایش را تحلیل کند. روش پژوهش، کیفی از نوع تحلیل مضمون‌ است و مشارکت‌کنندگان آن را زنان ساکن در شهر بشرویه تشکیل می‌دهند. با استفاده از روش نمونه‌گیری هدفمند و در نظر گرفتن معیار اشباع نظری، با ۱۶ نفر از زنان دارای تجربه و آگاهی کافی درباره‌ی مقوله مد مصاحبه نیمه‌ساختاریافته انجام شد. تحلیل داده‌ها در سه مرحله‌ی کدگذاری اولیه، کدهای متمرکز و استخراج مقوله‌ها و مضامین اصلی انجام گرفت. یافته‌ها نشان می‌دهد که عوامل اجتماعی (نظیر طبقه‌ی اجتماعی، شبکه‌های هم‌سالان و رسانه‌ها) و نیز عوامل فرهنگی (همچون زیبایی‌شناسی رایج، جهانی‌شدن و تضعیف مرجعیت‌های سنتی) نقش اساسی در گرایش به مد دارند. همچنین تجربه‌ی زیسته‌ی زنان شامل لذت از زیبایی، فشار اجتماعی، تعارض سنت و مدرنیته، و احساس تعلق به گروه‌های مدگرا نیز تأثیرگذار بوده ‌است.

http://www.farhangekhorasan.ir/article_251031_f6a38041f74e2812466c421a5f0c0d90.pdf

اداره کل فرهنگ و ارشاد اسلامی استان خراسان جنوبی مطالعات فرهنگی اجتماعی خراسان 2676-6116 20 4 2026 08 23 Reflection of Nowruz celebration in mystical works with emphasis on the poems of Sanai, Attar and Molavī بازتاب جشن نوروز در اشعار عرفانی با تأکید بر آثار سنایی، عطار و مولوی 236401 10.22034/fakh.2025.541569.1757 FA محمدجواد مشاوری نیا دانشجوی دکتری زبان و ادبیات فارسی دانشگاه بیرجند 0000-0002-3297-0621 محمد بهنام فر استاد گروه زبان و ادبیات فارسی دانشگاه بیرجند 0000-0002-0498-7995 عباس واعظ زاده استادیار گروه زبان و ادبیات فارسی دانشگاه بیرجند 0000-0001-7314-2366 Journal Article 2025 08 16 Considering the connection between mysticism and Iranian culture and the reflection of this connection in mystical works, and the fame of Nowruz as one of the symbols of Iranian identity, it is important to examine Nowruz, its purpose, and attractions in mystical works. In addition, it is worth considering the views of mystics about Nowruz and its attractions, and which aspects of it they paid more attention to. In this article, the reflection of the Nowruz celebration in mystical works and the mystics' views on this celebration are examined, with an emphasis on the poems of three mystic poets, Sana'i, Attar, and Rumi. The research on this subject was conducted using a descriptive-analytical method and a content analysis approach. Studies show that Nowruz, meaning the beginning of spring, has been used as a festival and to express mystical concepts in the poetry of mystic poets. With this assumption, this festival and national ritual of Iranians must have also been considered by them. However, the results indicate that mystics have a mystical and internal view of Nowruz and, like ordinary people, are not satisfied with outward joy. Nowruz, while being used in the works and poems of great mystics in the ranks of sacred themes such as the beloved, the night of destiny, the manifestation of the beauty of God, and as a manifestation of expansion, connection, and stages of conduct, has not been given much attention and importance as a national celebration of Iranians. The existence of doctrinal considerations and religious prejudices, the Sufi conduct, the transnational and transnational nature of mystics, Sufi asceticism, and avoidance of attending the pleasure ceremonies of the sultans' court can be considered as important reasons for the low importance of the Nowruz ritual in mystical poems. با توجه به خاستگاه عرفان و پیوند آن با فرهنگ ایرانی و انعکاس این پیوستگی در آثار عرفانی، همچنین شهرت نوروز به‌عنوان یکی از مهم‌ترین نمادهای هویت ایرانی، بررسی نوروز، هدف، فلسفه و جاذبههای آن در آثار عرفانی اهمیت مییابد. علاوهبراین، بررسی دیدگاه عرفا، درباره‌ی نوروز و جاذبههای آن و این که به چه جنبههایی بیشتر توجه داشتهاند و از چه جنبههایی غفلت نمودهاند، درخور توجه است. در این جستار، بازتاب جشن نوروز در آثار عرفانی و نگاه و نظر عارفان درباره‌ی این جشن بزرگ، با تأکید بر اشعار سه شاعر عارف، یعنی سنایی، عطار و مولوی، مورد بررسی قرار گرفته است. تحقیق در این موضوع به روش توصیفی ـ تحلیلی و با رویکرد تحلیل محتوا انجام شده است. بررسیها نشان میدهد که نوروز در معنی آغاز فصل بهار، به‌عنوان عید و برای بیان مفاهیم عرفانی در شعر شاعران عارف به کار رفته است. با این فرض، باید این عید و آیین بزرگ در جایگاه یکی از مراسم ملی ایرانیان و جشن مردمی و اجتماعی آنان نیز مورد توجه قرار گرفته باشد. اما نتایج حاکی از این است که عرفا به نوروز، نگاهی عارفانه و درونی دارند و چون مردم عامی به شادی و جشن ظاهری بسنده نمیکنند. نوروز، ضمن این که در آثار و اشعار عارفان بزرگ در ردیف مضامین مقدس مانند معشوق، شب قدر، جلوه‌ی جمال حق و از مظاهر بسط، وصل و مدارج سلوک به کار رفته، بهعنوان جشن ملی ایرانیان چندان مورد عنایت و اهمیت قرار نگرفته است. وجود ملاحظات اعتقادی و تعصبات مذهبی، سلوک صوفیانه، فرامرزی و فراملیتی بودن عارفان، زهد صوفیانه و پرهیز از حضور در مراسم خوشگذرانی و شادخواری دربار سلاطین را می‌توان از دلایل مهم کماهمیت جلوه نمودن آیین نوروز در اشعار عرفانی برشمرد.

http://www.farhangekhorasan.ir/article_236401_a312de21eb3a14de7487aa9fb11bab16.pdf